When we named Cecilio G we are talking about the most glittering news of the trap billed in Spanish.
Son of the Youtube generation and mythological animal of urban music, Cecilio G has a sharp tongue like a scalpel, an esthete of the street code and the culture of rap punch of the suburbs capable of mixing echoes of southern hip hop, hardcore hip hop, crunk, dubstep or big room house with a shocking lack of prejudice.
All this, for the most profane, involves a staging of an aggressive sound with powerful lyrical content, themes where the instrumental passages created based on kick drums 808 or heavy lines of extended sub-bass are left scratched by nihilistic, sexual lyrics and shameless where Cecilio G "deal in" as few in a style that seems the latest manifestation of the scandalous and destructive power of music accumulating more than 30 million reproductions on digital platforms.Known as "the cursed poet of the trap", he has the ability to break the internet every time he gives an interview. The philosopher Ernesto Castro, in his book El trap, Filosofía Millenial para la Crisis en España says of him that he is unclassifiable and declassified, the most unique and unrepeatable artist on the Spanish urban scene. And he insists on defining him as the Leopoldo María Panero of the trap for being "someone clinically crazy but, in his madness, he sees the world much more sanely than those who call themselves sane."
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